international
summer school

August 4 - August 31

Our International Summer School 2025 takes place in Berlin over four weeks in August, and offers an exciting opportunity for performance makers from around the world to connect with us and with each other - for professional development and exchange, and also for an exciting summer experience in Berlin, still considered to be “Europe’s wildest child”.

program

A man with a shaved head and light skin, wearing a red shirt, smiling and resting his chin on his hand outdoors with a blue door and greenery in the background.

Clown through mask

Jonathan Young

August 4 - August 12 (9 days)

Times: 10.00-17.00 (inclusive of a 60-minute break)

Fee: 900€

Clown through Mask is a groundbreaking synthesis of First Nations (Native American) and European clown traditions, that draws on the power and mystery of masks to free all aspects of yourself to play….

A woman with makeup and costume makeup to look like a monster or vampire, making a fierce expression and pose in front of a white brick wall.

Balinese Mask Play

Maria Eugenia Blanco

August 13 - 16 (4 mornings)

Times: 10.00-13.00

Fee: 240€

In Bali, masks are understood as capable of momentarily collecting a portion of cosmic energy, the vital life of the universe. As such they are understood to help visualize the divine powers, as well as providing them momentary material manifestations…..

Group of women practicing contemporary dance in a dance studio with large windows and hardwood floors.

Movement, Body and Space

Elif Soezer

August 13 - August 16 (4 afternoons)

Times: 14.00-17.00

Fee: 240€

This workshop aims to explore the possibilities of the performer's body in relationship with the space. Through the use of Lecoq’s 20 movements, we enter the realm of balanced movement, which enables the performer to touch the theatrical potential of the off-balance….

A detailed map of a city showing streets and roads in white on a black background.

Urbanism and Embodied Performance

Jelle de Wit

August 18 - 22 (5 days)

Times: 10.00-16.00 ( inclusive of a 60-minute break )

Fee: 500€

Berlin, with its rich tapestry of history, culture, and innovation, offers us a unique canvas to explore. During this workshop, you will traverse through different parts of Berlin, both by day and by night. Later, back in the studio, we'll embark on a transformative journey, turning our experiences of the urban space into performative forms…

A smiling man with glasses is taking a selfie with a woman in the background, both appearing to be at an indoor social gathering or event.

Music of the Body / The Art and Ritual of Circle Songs

Patrick Soul

August 23 (one day)

Times: 10.00-17.00 ( inclusive of a 60-minute break )

Fee: 100€

Explore the rhythms and musical instincts of your body and mind through an intensive day of movement phrases, vocal explorations and rhythm/body percussion games, leading to instant group compositions and improvised musical worlds….

Two people perform a scene on a stage with a wooden bench. One person in a black suit sits upright with head tilted back, while the other in a white outfit lies upside down with head on the ground, both appearing expressive and engaged in the act.

Pathways into Directing Devised Work

Rachel Karafistan and Paul Budraitis

August 25 - 29 (5 days)

Times: 10.00-16.00 ( inclusive of a 60-minute break )

Fee: 500€

Devising is a collaborative and dynamic process fuelled by intuition, hard work and the creativity of the ensemble. Once you have generated material in the closed room, how do you shape it into a performance with an audience or community in mind? How do we listen and respond intuitively to a rehearsal room as a director and find the best path for the story?….

Two women practicing yoga or stretching in a bright room.

One, Two, Many : Crossroads between Theatre and Dance

Valentina Bordenave

August 30 - August 31 (2 days)

Times: 10.00-17.00 ( inclusive of a 60-minute break )

Fee: 240€

One, two or many… bodies in the space, levels of awareness, themes, stories. The work focuses on physical interaction with a partner and with the group. It invites us to improvise and compose in the moment, using the body, the voice, time and space, respecting the uncertainty whilst adapting to constant change. We receive, process and propose material in a continuous feedback flow exploring different strategies to compose scenes of dramatic tension….